Person 1
i dont mind the runner, i dont like the hunter
Person too
The runner and the gunner
Person 1
more vibes but nt fully on money
Person too
Think i prefer human to person as script then suggests other actors
Person 1
y does it hv to b two humans speaking, thought whole point was tht digital blurs those boundaries. So a Person is nondescript
Person too:
Ok wotevr we’re here alrdy lets get smth else don
Person 1:
Person too
The object is an actor, an actor is an object
But maybe we r more preparing to make
At this point?
Person 1
isn’t there a distinction: director > actor > object < actor < director
Person too
Its rather lk this but lk arrows evrywhere
Person 1
(y)
Person too
Anyone can act, anyone can be an actor – the best liar is the one who knows what they say is true
Person 1
leave tom cruise out of this – The original point was about representation vs actualisation
Person too
It still is. In method acting, an actor is using memories and experiences to build a character, not to convince anyone but to actually truly be. its only an indirect effect that its believable, bc its realised
Person 1
What is truly?
Person too
Hahahhaah
Person 1
Think that clears everythign up
Person too
Is this me crying or am i crying to convince you of me being sad
Person 1
Not when I cry. When YOU cry what do I see
I see a representation of you crying that is not the same as you crying
Person too
Plz leave heidegger and mp out of this lol
Person 1
cn we speak ab land art instead
Person too
Yes
/Nilz Källgren & Tabitha Steinberg
weirdos from another is an infrastructure which accumulates objects and actions through a public intervention amid the first day of install on Wednesday 12th September, continues in passive corporeality throughout the weekend and resumes to performative action on Tuesday 18th September.
![](https://oddweb.org/wp-content/uploads/2018/09/nilz.png)
Biography
Nilz Källgren
Nilz Källgren is an artist based in London. Through video, sculpture, writing and performance, infrastructures and collaborations, questions of tangibility and momentum, action and interaction are proposed and deconstructed. Infrastructures operate to activate and animate objects and formats to act as something other, to understand inherent their being and potential – as well as their integrity. Co-founder and director of clearview (London), former co-director of Galleri Bon (Stockholm), co-founder and curator of Revenue S:t Eriksgatan 79 (Stockholm) and curator at Carl Kostyal Stockholm.